LIBRARY

"Notwithstanding the provisions of sections 106 and 106A, the fair use of a copyrighted work, including such use by reproduction in copies or phonorecords or by any other means specified in that section, for purposes such as criticism, comment, news reporting, teaching (including multiple copies for classroom use), scholarship, or research, is not an infringement of copyright. In determining whether the use made of a work in any particular case is a fair sue the factors to be considered shall include-

1. The purpose and character of the use, including whether such use is of a commercial nature or is for nonprofit educational purposes;
2. The nature of the copyrighted work;
3. The amount and substantiality of the portion used in relation to the copyrighted work as a whole; and
4. The effect of the use upon the potential market for or value of the copyrighted work.

The fact that a work is unpublished shall not itself bar a finding of fair use if such finding is made upon consideration of all the above factors."

Consideration of all factors is required although all factors do not have to be in favor of a use to make it a fair one. The fact that a work is unpublished shall not itself bar a finding of fair use if such finding is made upon consideration of ALL the above factors. Also:

• Brevity
  --Poetry: If a poem is less than 250 words and is printed on not more than two (2) pages, it may be copied in its entirety. If the poem is longer than 250 words, only 250 words may be copied. The law does allow an unfinished line to be included if the 250-word limit should happen to fall in the middle of a line.
  --Prose: If a compete article, story, or essay is less than 2500 words, it may be copied in its entirety. For other types of prose, such as plays, novels or letters, a copy must not be more than 1000 words or 10% of the whole, which ever is less. No matter how short the work, one may copy an excerpt of 500 words. This means that if a work is only 1000 words in total, an instructor may copy 500 words even though that amount exceeds the 10% guideline. [Exception: Literature composed of text and significant illustrations, generally known as picture books, is usually shorter than the 2500 word limit for complete copying. The law provides a prohibition against copying works of this type in its entirety. Only two (2) pages of a picture book may be copied as long as those two(2) pages do not comprise more than 10% of the text of the book].
  --Illustration: One chart, graph, drawing, cartoon diagram, or picture may be copied per book or periodical issue. These copies must be photocopies or other exact copies. Enlarging or modifying the illustration in any way violates the author's right of adaptation and display.
• Spontaneity
  --The individual instructor must initiate the making of multiple copies. This excluded department heads or members of administration. The making of multiple copies must be at the inspiration of the individual instructor. The instructor may not use that same article, illustration or poem in subsequent semesters or years without permission.
• Cumulative Effect
  --Copyright guidelines want to assure that copying is not substituting for purchase of books and periodicals. Copying must be done for only one course.

• A single copy of a chapter from a book.
• A single copy of an article from a periodical or newspaper;
• A single copy of a short story, short essay, or short poem, even if it is contained in a collection;
• A single copy of a graph, diagram, drawing, cartoon, or picture from a book, periodical, or newspaper.
• Copying shall not be used to create or to replace or substitute for anthologies, compilations, or collective works. Such replacement or substitution may occur whether copies of various works or excerpts therefrom are accumulated or reproduced and used separately.
• There shall be no copying from works intended to "consumable: in the course of study or of teaching. These include workbooks, exercises, standardized tests, test booklets, answer sheets, and similar consumable material.
• Copying shall not substitute for the purchase of books, publishers' reprints, or periodicals; be directed by higher authority; or be repeated with respect to the same item by the same teacher from term to term without permission from the copyright owner.

• Electronic reserve operations include the making of a digital version of text, the distribution and display of that version at workstations, and downloading and printing of copies.
• Reserve systems may include short items
  
  
1. No more than one chapter from any given book.
2. No more than one article from any given issue of a journal or newspaper.
3. No more than one short story, short essay, or short poem from any given book.
4. No more than one graph, diagram, drawing, cartoon, or picture from a book, periodical, or newspaper.
• Copying from works intended to be "consumable" (e.g. workbooks, exercises, standardized tests, and test booklets) violates copyright law.
• Photocopies or digitized copies must display a copyright notice and attribution of source on the first page of the portion of the material photocopied or digitized.
• If the intent is to use photocopies or electronic copies for more than one semester, instructors are advised to request permission from the copyright holder.
• Copyright permission for the majority of material may be obtained from the publisher or the Copyright Clearance Center at http://www.copyright.com. Royalties are usually required.

• Use of full-text articles available in databases that Alverno College subscribes to.
• Depending on our licensing agreements with individual vendors, it may be legal to add a persistent URL for full-text articles to Electronic Reserves or to Course Web pages (Educator).
• When students are expected to read more than one chapter from a book, consider placing one or more published copies of the actual textbook on Reserve.
• Individual issues of print journals that Alverno owns may be placed on Reserve.

• http://www.arl.org/pp/ppcopyright/copyresources/applying.shtml

• Single chapters
• Single articles from a journal issue
• Several charts, graphs or illustrations
• Other similarly small parts of a work

• Any copyright notice on the original
• Appropriate citations and attributions to the source

• A single copy of one chapter from a book.
• However, copying or scanning cannot substitute for the purchase of books or be repeated with respect to the same item by the same teacher from term to term.

• Number-
  The number of copies cannot exceed the number of students in a course.
• Brevity-
  Only complete articles of less than 2,500 words in length or excerpts consisting of not more than 10% of longer works may be included.
• Spontaneity-
  There must be sufficient time to request permission prior to using the material in the course. This requirement precludes reuse (without permission) of copyrighted materials in subsequent offerings of the course.
• Cumulative effect-
  Not more than one (1) article may be copied from any single author nor more than three (3) articles from a single volume. No more than nine (9) articles may be used in any one course.
• Attribution-
  Posted materials must display appropriate copyright notices.

1. The guidelines were developed to apply only to off-air recording by non-profit educational institutions.
2. A broadcast program may be recorded off-air simultaneously with broadcast transmission (including simultaneous cable retransmission) and retained by Alverno College for a period not to exceed the first forty-five consecutive calendar days after date of recording. At the conclusion of this retention period, the recording must be destroyed or erased.
3. Off-air recordings may be used once by individual instructors in the course of relevant teaching activities, and repeated once only when instructional reinforcement is necessary, in classrooms and similar places devoted to instruction within a single building on campus, as well as in the home of students receiving formalized home instruction during the first consecutive school days in the forty-five calendar day retention period. School days are school session days only, with the forty-five calendar day retention period.
4. Off-air recordings may be made only at the request of and used by individual instructors, and may not be recorded in anticipation of program requests. No broadcast program may by recorded more than once at the request of the same instructor, regardless of the number of times the program is broadcast.
5. A limited number of copies may be reproduced from each off-air recording to meet the legitimate needs of instructor under these guidelines. Each additional copy will be subject to all provisions governing the original recording.
6. After the first ten consecutive in-session school days, off-air recordings may be used up to the end of the forty-five calendar day retention period only for instructor evaluation (whether or not to include the broadcast program in the teaching curriculum), and may not be used in Alverno College for student exhibition or any other non-evaluation purpose without permission or authorization.
7. Off-air recordings need not be used in their entirety, but the recorded programs may not be altered from the original content. Off-air recordings may not be physically or electronically combined or merged to constitute teaching anthologies or compilations.
8. All copies of off-air recording must include the copyright notice on the broadcast program as recorded.
9. Alverno College is expected to and will establish appropriate control procedures to maintain the integrity of the guidelines.

1. The guidelines apply to lawfully acquired copyrighted works not included under section 110(2), whether dramatic or audiovisual, transmitted over a satellite, secure computer network or by closed circuit.
2. The transmission can be made to a classroom or similar place or to a site controlled by Alverno College to officially enrolled students.
3. Classes, as part of the college's systematic instruction, must be either
• Live, interactive distance learning classes; or
• Faculty instruction without students present for later transmission.
4. Copies of the transmission may be retained for 15 consecutive class days.
5. Permission is required for any commercial use and for any use of the resulting tape beyond 15 days.

1. Emergency copying to replace purchased copies that for any reason are not available for an imminent performance purchased replacement copies shall be substituted in due course.
2. (a) For academic purposes other than performance, multiple copies of excerpts of works may be made, provided that the excerpts do not comprise a part of the whole that would constitute a performable unit such as a section, movement or aria, but in no case more the 10% of the whole work. The number of copies shall not exceed one copy per student.
   (b) For academic purposes other than performance, a single copy of an entire performable unit (section, aria, movement, etc.) that is confirmed by the copyright proprietor to be out of print, or unavailable except in a larger work, may be made by or for a teacher solely for the purpose of his or scholarly research or in preparation to teach a class.
3. Printed copies that have been purchased may be edited or simplified provided that the fundamental character of the work is not distorted or any lyrics altered or lyrics added if none exist.
4. A single copy of recordings or performances by students may be made for evaluation or rehearsal purposes and may be retained by Alverno College or the individual instructor.
5. A single copy of a sound recording (such as a tape, disc or cassette) of copyrighted music may be made from sound recordings owned by Alverno College or an individual instructor for the purpose of constructing aural exercises or examinations and may be retained by Alverno College or the individual instructor.

1. Copying to create or replace substitute or anthologies, compilations or collective works.
2. Copying of or from works intended to be "consumable" in the course of study or of teaching such as workbooks, exercises, standardized tests and answer sheets and like material.
3. Copying for the purpose of performance, except in "Permissible" (1).
4. Copying for the purpose of substituting for the purchase of music except as in "Permissible" 2(a) and 2(b).
5. Copying without the inclusion of the copyright notice that appears on the printed copy.

• File Sharing or Music Piracy?
  Legal and Ethical Issues of Downloading Music Illegally (PowerPoint Presentation)

1. Students have the exclusive right to produce derivative works and to publish, perform and display any that they have created. Alverno College must obtain student permission before publishing the work on the Internet and give proper copyright attribution to the student. Permission forms may be obtained for this from the library.
2. In the event that a student wishes to use another individual's work by publishing it on the Internet, the student must obtain the owner's permission.
3. If a student downloads a copyrighted piece of material from the Internet, the material can be used within the classroom setting without violating copyright.
4. Educators who use the Internet are subject to copyright laws
   • as agents of Alverno College (for liability purposes) and
   • as employees who create works made for hire.
5. A website is a copyrightable form of expression. When employees (faculty & staff) create websites as a condition of employment, the website becomes the property of Alverno College.
6. If a website created by an employee of Alverno College becomes an issue involving legal action, the college may be liable for contributory infringement, if it is found to have knowledge that material used to create the website has violated copyright.

1. Guidelines, which are subject to portion and time limitations, permit students to:
   • Incorporate other's works into their multimedia creations and perform and display them for academic assignments, as long as the portion and time limits are met;
2. The guidelines permit instructors to incorporate others' works into multimedia creations to:
   
   • Create curricular materials
   • Teach remote classes where the total number of students is limited;
     And
   • Demonstrate at peer conferences
3. Students and faculty may retain their multimedia creations for no more than 2 years after the creation of the work.
4. Students and faculty may use not more than:
   • For motion media, the lesser of 10% or 3 minutes
   • For text, the lesser of 10% or 1000 words
   • For photos and images, the lesser of 10% or 15 works from a collection, up to 5 works from a single author;
   • For databases information, the lesser of 10% of 2500 fields
5. Performance rights are key to the permissions available for use.
   Videos are sold with and without "non-theatrical-public-performance rights." Section 110(1) of the copyright law allows showing videocassettes labeled "for Home Use Only" in classrooms under the following conditions: Legitimately-made copies may be shown only to teachers and students in face-to-face instruction, in courses given for academic credit, in classrooms or other location devoted to instruction (e.g. laboratories, gymnasiums, libraries, etc.). Educators may claim fair use for their own productions providing these productions are:
   
   • For face-to-face curriculum-based instruction
   • Demonstrations of how to create multimedia productions
   • Presented at conferences but you may not share copies of the actual production)
   • For remote instruction as long as the distribution signal is limited
   • Kept for only 2 years
6. Videotapes licensed for "home-use only" may be used in a classroom if:
   • The tape is a legitimate copy
   • The tape is played in a location devoted to face-to-face instruction and relates to a part of the course curriculum or teaching activity
   • The tape is presented by either the instructor or the students and viewing is limited to instructors, students and guest instructors
   • The tape is used for educational purposes and not for entertainment
7. A format shall be considered obsolete if the machine or device necessary to render perceptible a work stored in that format is no longer manufactured or is no longer reasonably available in the commercial marketplace.

1. Substantially change an image that is in the public domain (artist has been dead for 50 years) to make it your own. An example is Robert Colescott deriving his composition and title from Emanuel Leutze’s George Washington Crossing the Delaware. He painted the figures dark skinned and changed the name to George Washington Carver to make a statement on race. His painting cannot be confused with Leutze’s. It is not an infringement since he is making a socio-political commentary on the Leutze painting.
2. Parody or offer social commentary on an existing artwork. That is why there are so many artworks that include the image of the Mona Lisa. Marcel Duchamp’s painting a mustache on a representation of the Mona Lisa makes it no longer THE Mona Lisa and changes the Leonardo Da Vinci painting’s meaning and historical context.
3. Use appropriation or pastiche to make a unique art work. Appropriation is using part of another person’s art in your work. Since the early 1900’s artists have been insisting that other artists’ work is fair game as subject matter just as is an apple or pear in a still life. See Pablo Picasso’s series of works based on Diego Velazquez’ Las Meninas painting. Sherrie Levine has based a large body of work on appropriation, with a lot of attendant controversy. Appropriation of imagery calls into question rightful ownership of an image. It makes a society bring up the discussion to decide where to draw the line on property rights. Pastiche is a collection and arrangement of imagery derived from a variety of sources that are not the artist’s own.
4. Do not take away the owner’s ability to earn income from the work in question. For example, people will not stop going to the Louvre Museum in Paris to see the Mona Lisa because another artist parodied the painting.

1. The use of digital images is permissible when:
   • The image has been lawfully acquired;
   • The image is not readily available in usable form for purchase or license
2. Students and educators engaged in instructional activities can use such images as long as:
   • The image is displayed for educational purposes, including peer conferences, term papers or retention in personal portfolios for graduate work or employment;
   • They include a copyright notice that credits the source

1. Computer programs fall under the category of "literary works" and are protected by copyright in the same manner. The author of copyrighted software retains exclusive right to control the copying or distribution of the program.
2. The Copyright Software Rental Amendments Act provides an exemption for nonprofit libraries provided that a warning of copyright is affixed to each package. The notice reads:

   "Under certain condition specified in law, nonprofit libraries are authorized to lend, lease, or rent copies of computer programs on a nonprofit basis and for nonprofit purposes. Any person who makes an unauthorized copy or adaptation of the computer program, or redistributes the loan copy, or publicly performs or displays the computer program, except as permitted by Title 17 of the U.S. Code, may be liable for copyright infringement. This institution reserves the right to refuse to fulfill a loan request if, in its judgment, fulfillment of the request would lead to violation of the copyright law."

3. This notice must be durably attached to the package that is loaned.
   ***This exemption for lending software is for the library only. Alverno College academic department, administrators, or computer or technology directors do not qualify for this exemption! The educators of Alverno College must comply with the legal and ethical issues involved in copyright laws and publisher license agreement and must accept responsibility for enforcing and adhering to these laws and agreements. Budget and time constraints do not justify illegal use of software.